Putham Pudhu Kaalai Administrators: Sudha Kongara, Gautham Menon, Suhasini Mani Ratnam, Rajiv Menon, Karthik Subbaraj Solid: Jayaram, Kalidas Jayaram, Urvashi, Kalyani Priyadarshan, M.S. Bhaskar, Ritu Varma, Suhasini Mani Ratnam, Anu Hasan, Shruti Haasan, Andrea Jeremiah, Leela Samson, Sikkil Gurucharan, Bobby […]
Putham Pudhu Kaalai
Administrators: Sudha Kongara, Gautham Menon, Suhasini Mani Ratnam, Rajiv Menon, Karthik Subbaraj
Solid: Jayaram, Kalidas Jayaram, Urvashi, Kalyani Priyadarshan, M.S. Bhaskar, Ritu Varma, Suhasini Mani Ratnam, Anu Hasan, Shruti Haasan, Andrea Jeremiah, Leela Samson, Sikkil Gurucharan, Bobby Simha, Muthu Kumar
It has been some time, an extended whereas, since I noticed a Tamil work that moved me. Amazon Prime Video’s first anthology in Tamil of 5 shorts was outstanding for its emotional quotient, laced with excellent performances. Shot in the course of the latest lockdown, the 5 motion pictures have been helmed by completely different administrators in style in South Indian cinema. Whereas the primary 4 segments are set in prosperous households, the final underlines the grinding poverty suffered by the poorer lessons after the lockdown was clamped.
The shorts discover damaged relationships and reunions, not essentially involving two lovers, as in Sudha Kongara’s Ilamai Idho Idho (Youth, Right here We Come), or between two faculty sweethearts (who discover themselves nose to nose with one another in the course of the lockdown in Rajiv Menon’s Reunion), but in addition between a younger girl and her estranged grandfather (Gautham Menon’s Avarum Naanum/Avalum Naanum or Him and Me/Her and Me) or amongst three sisters and their mother and father in Suhansini Mani Ratnam’s Espresso, Anybody? by which an aged girl’s coma will get her two daughters dashing to her bedside with a 3rd away in Mumbai, stubbornly refusing to neglect and forgive her mom’s insensitive angle. Karthik Subbaraj’s Miracle steers away from any severe exploration of ties between two brothers, who discover themselves out of labor and scouting free of charge meals.
I’ve by no means been a selected fan of Gautham Menon, however his Avarum Naanum/ Avalum Naanum received me floored along with his marvellously delicate portrayal of a person’s relationship along with his estranged granddaughter, who comes visiting him in the course of the pandemic. Bhaskar enjoying the previous man with a distinguished skilled file as a physicist (“have labored with Kalam” he says) had not been speaking to his daughter for years after she received married to a person who “killed” her big expertise as a classical singer. It has at all times been on his thoughts, hurting him and inflicting untold ache. And when his granddaughter, Kanna (Ritu Varma), comes over to stick with him, he will get an opportunity to speak issues over along with her within the hope of redemption. The 2 get on famously. Kanna is shocked to search out that he’s as adept at utilizing trendy devices as she herself is. What’s extra, throughout a knotty workplace assembly over the video, the person walks into the body and provides an answer! Wonderful performances by Bhaskar and Varma seem simple and actually pure.
I fairly appreciated the performing in Rajiv Menon’s Reunion – with famend classical musician, Sikkil C. Gurucharan enjoying a younger physician, Vikram, and dwelling along with his mom (Leela Samson). In walks Sadhana ( Andrea Jeremiah), an previous classmate. Sadhana turns into part of their family after her two-wheeler breaks down. There are scares as when one among Vikram’s sufferers assessments Covid optimistic and when Sadhana passes out after over snorting cocaine. The climax is simply beautiful with hope enjoying musical notes and rekindling not simply Vikram’s ardour for the artwork, but in addition a way of romance.
Kongara’s Ilamai Idho Idho additionally ends on a excessive after two middleaged folks get collectively at Rajiv Padmanabhan’s (Jayaram) home in the course of the lockdown. Lakshmi Krishnan (Urvashi) and he had been as soon as inseparable (as proven throughout their youthful days/ performed out by Kalidas Jayaram and Kalyani Priyadarshan). Married to completely different folks, they’ve been widowed and are presumably main lonely lives when the Pandemic comes as a blessed aid. She tells her married son that she goes to Pondicherry for a retreat, and Rajiv packs off his home assist for privateness. There are stunning moments between the 2 – of how they squabble over a spoon left inside a fridge or a moist towel on the mattress. Fairly candy and a contact of good performing by Jayaram, however in fact.
Suhasini Mani Ratnam’s Espresso, Anybody? Underlines the bonding amongst three sisters – Mani Ratnam because the eldest Valli, Anu Hasan as Saras and Shruti Haasan as Ramya. Valli has flown down from England to be along with her comatose mom, Soundara Mahendran (Komalam Charuhasan) and father, Mahendran (Kathadi Ramamurthy). Ramya refuses to come back down from Mumbai, nonetheless smarting from the insult her mom heaped on her. There’s camaraderie at dwelling after which there may be angst when the daddy refuses to let his spouse return to the hospital, until Ramya turns into a focus of a miracle.
The final phase by Karthik Subbaraj, is apparently titled, Miracle with Bobby Simha and Sharath Ravi as two impoverished brothers dwelling in a slum and hoping for, properly a miracle. After they likelihood upon an deserted automobile on a desolate floor, they ransack it within the hope of hidden cash. They don’t, however discover their manner right into a supposedly empty home the place they discover sacks of forex notes. However the twist to the story is wonderful and is, in a manner, an indictment of blind beliefs. Apt within the form of horrid instances the world is passing by. Fortunately, this is just one among the many 5 that instantly addresses the financial devastation brought on by the lockdown, and the anger and frustration it results in.
Whereas the writing is sort of incisive and the course properly up on the ladder, among the performances outshine others. Anu Hasan is splendidly expressive, and Bhaskar infuses into his richly spelt out character wonderful depth as a person who has suffered lengthy seeing his daughter ripped away from an virtually divine expertise. Jayaram steals the limelight as a bumbling middleaged man, ecstatic at being reunited along with his love after a long time.
(Gautaman Bhaskaran is writer, commentator and film critic)